Live Studio Sessions

This truck-driving, harmonica-blowing Bluesman won multiple awards in his hometown Minneapolis for his ace songwriting, singing and playing. Then about 10 years ago, Joe Cook moved his family to Seattle and had to start his musical career over again. He started going to some of the many local Blues jam sessions, where he met and teamed up with some of this area’s hottest Blues players.

On his path to musical self-discovery, pianist Spike Wilner set out to make himself a part of his New York City community. He'd buy old pianos and give them to bars for free, in exchange for a regular night for Spike to play there. We were happy to provide a freshly tuned piano to Spike when he brought his New York friends with him for a spirited Studio Session.

Pianist and songwriter Marcia Ball brought her signature swampy, bluesy, boogie-woogie roadhouse sound to our studio to celebrate the impending release of her latest album Shine Bright, which comes out April 20.

Marcia’s won ten Blues Music Awards, ten Living Blues Awards, and had five Grammy Award nominations. She has been inducted into both the Gulf Coast Music Hall of Fame and the Louisiana Music Hall of Fame. The Texas State legislature named her the official 2018 Texas State Musician.

We've grown accustomed to his face, sax player Steve Treseler had performed in the KNKX studios as a sideman and as a mentor to School of Jazz combos, and his own dynamic "In Motion" quartet was a highly anticipated session for us all.

Treseler talked about his early mentors, including sax great Jerry Bergonzi, who taught his young student to love practicing as a way to celebrate a love for your instrument and the intimate act of playing what you feel.

Just a couple years after bringing guitarist Cole Schuster and bassist Greg Feingold from the Berklee College of Music to Seattle, drummer Max Holmberg and the 200 Trio have certainly endeared themselves to their new hometown.

The threesome are playing all over Seattle, including the Triple Door's Musicquarium Lounge, exclusive "Hidden Jazz Club" shows through Air B&B, and at Egan's Ballard Jam House, where Jim Wilke recorded their new second album, Trinity.

Out studio audience had an acapella treat with Redhot & Blue, a 12-piece vocal ensemble from Yale University.

The group kicked off the session with a swinging rendition of “Zoot Suit Riot” featuring bass singer Denis Tse. 

Picking up his first saxophone in 5th grade, Stuart MacDonald made the most of the Seattle school system's jazz educators. Today, working on his Masters in jazz studies at the University of Washington, his education continues even as he teaches younger players a thing or two on the bandstand.

Violin player, composer and bandleader Ranger Sciacca is a massive fan of gypsy jazz guitar legend Django Reinhardt, and his partner, violinist Stephane Grappelli. That said, Ranger's band isn't like most groups who play in this swinging style.

The swing is still the motor that makes this band move, but the Re-Arrangers are breaking some of the unspoken rules of gypsy jazz bands. 

Sharing a guitarist and a studio session performance, Birch Pereira & The Gin Joints split time with the duo Sundae + Mr. Goessl in the KNKX studios, both excited to share new music from upcoming albums. Jason Goessl plays guitar in both bands, and it felt like hanging out in the living room with your most musically talented friends.

The new Gin Joints album is called Western Soul and transports the listener back in time to when jazz, country music and even early rock n roll were powered by an engine of sweet swing.

Pearl Django once again graced our studio for a lively performance that included founding member Guitarist Neil Andersson, now living and working as a painter in California. The group was preparing for a stint at Jazz Alley and gave our studio audience a short preview.

They kicked things off with a lively rendition of “With Friends Like These” written by Tim Lerch and inspired by the song “Just Friends.”  It is the title track to the group’s current release, which also features Andersson.

It’s only been 8 months since the Rumba Kings’ first Studio Session on KNKX, but we couldn’t resist their excitement over releasing their first recording, a double-disc CD:  The Instrumental and Vocal Sessions, Volume One. 

Once again, their energy and virtuosity delighted our listeners.  The Rumba Kings bold and romantic blend of Latin, Mediterranean and Gypsy music is irresistible!

Bassist and composer Bren Plummer has put together a tasty band of Northwest allstars for his latest album, Moldy Figs. From Jay Thomas (trumpet) to Stuart MacDonald (sax), D'Vonne Lewis (drums) and Susan Pascal (vibraphone) as well as guitarist Frank Seeburger, it's a group of talented players and bandleaders themselves.

Pascal may have put it best when she explained that she finds Plummer's music fresh and challenging, just what a good jazz musician wants to play.

Following by ten years his original Contraband project, tenor sax player Cliff Colon has reformed the group to create more compelling modern jazz drawn from the melodies of late 80s video games. Whatever that looks like on paper to you, in practice Contraband Reloaded sounds like a genius.

Alto and soprano sax player Brent Jensen says no matter which horn he plays, people often tell him he sounds like Paul Desmond. That's a high compliment indeed, but live in the KNKX studios Jensen showed he's no imitator.

You've probably heard Brent Jensen playing around the Northwest, or from his hit debut album on Seattle's Origin Records, The Sound of a Dry Martini: Remembering Paul Desmond from 2002. But he's only just recently moved to the Puget Sound region about a year ago and says he loves having access to so many amazing jazz musicians with whom he can share a stage.

Based in New York City and featuring two graduates of Seattle's legendary Roosevelt High School jazz program, the trio Mughal Muesli returned to the West Coast for a tour supporting their debut album Imperial Cereal. We're tracking down carpenters now because they nearly blew the roof off the place.

Live in our studios, Mughal Muesli performed three new compositions that ebbed and flowed with intense grooves, aggressive and muscular sax and bass, and exotic melodies that reflected their musical passions.

"It's not loud, it's more... dynamic" percussionist Ricardo Guity told our studio audience as The New Triumph prepared to launch into their soulful, rhythm-heavy live session. It wasn't loud, but it was passionate and dynamic.

A Seattle native who's been soaking in the energy of New York City for the past half dozen years, Jessica Lurie has released the first new album from her ensemble in nearly as long ago as her relocation. It was worth the wait.

Long Haul is a diverse collection of all the style that Lurie has shown since her youthful days in legendary Seattle groups The Billy Tipton Memorial Saxophone Quartet and The Living Daylights. At times playful, frantic, mesmerizing, funky, mysterious and downright beautiful, Jessica Lurie is playing and composing as well as she ever has.

Now in his second year at the University of Northern Colorado's highly regarded jazz program, drummer Ryan Leppich returned home to Puget Sound with a pair of college friends to play a few shows around town. We were lucky enough to host them for an energetic set of clever original songs live in the KNKX studios.

Recent graduate Tom Amend showed off his well-honed piano chops alongside talented bass player Seth Lewis, and they both seemed right at home in the pocket of rhythm provided by Leppich.

He's known as one of the top trumpet players in jazz for the past quarter century, and returned to the KNKX studios with a fantastic new song for the city Roy says has always inspired him.

"The Seattle Vibe" was so new, his quintet hadn't heard it until they arrived in town for their stay at Jazz Alley. There wasn't much time to chat with the band before our live broadcast, Roy was guiding them through the soulful changes and groovy tempo of his latest song.

Seattle's 45th St Brass find plenty of funky fun in the tradition of New Orleans brass bands, but they also take the opportunity to stretch the possibilities of this classic lineup of horns and drums.

Led by the baritone sax of Peter Daniel, forming a tight rhythm section with Nelson Bell on tuba and D'Vonne Lewis (playing on half of the new album) drumming for this performance.

The trombones of Jason Cressey and David Marriott play with and against each other, and trumpeter Shawn Mickelson added a bright sharpness to their sound. 

On the first snowy day in the Puget Sound region, a group formed in sunny California warmed up our airwaves with a studio session filled with joy and beauty.

The New West Guitar Group formed about ten years ago by students at the USC jazz program. With Will Brahm joining founding members John Storie and Perry Smith on guitars, they added their college friend, singer Sara Gazarek for their concert at the Kirkland Performance Center.  

Hilary Gardner and Ehud Asherie have a new release out called “The Late Set’ and we were treated to a lovely afternoon performance at our studios in Seattle.

The two met while both studying classical music together in Brooklyn, NY and quickly transitioned to jazz while playing the after hours set at Mezzrow Jazz Club in Greenwich Village.  Those late night performances were the impetus for this new release. 

They may be the longest running jazz trio in history without a line-up change, but after 17 years The Bad Plus will see a new face behind the piano in the New Year. On their final trip to Seattle together, they stopped by our studios to celebrate the extended first chapter of their influential mix of jazz, classical and rock music.

Considering the career that Arturo Sandoval has had, which has included winning several Grammy Awards, performing at the Super Bowl, having his music featured in movies and television, and receiving a Presidential Medal of Freedom, you might think that he has run out of places to explore, new projects to create, or new people to perform for. 

This is far from the case.

Composer, pianist and bandleader Wayne Horvitz's original score to the 1920 silent film The Cabinet of Dr. Caligari, will be performed to a screening of the film live at The Royal Room in Seattle's Columbia City this Halloween night. Thursday afternoon, we were there for a preview.